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Source:  http://conference.collegeart.org/2012/sessions/index.php?period=2012-02-24

Sessions

All papers within each session are listed in the order in which they expect to be presented. This list and the order of presentation are subject to change.

ALL | WEDNESDAY | THURSDAY | FRIDAY | SATURDAY

SPEAKOUT! CAA’s Strategic Plan and Retirement Planning
Friday, February 24, 7:30 AM–9:00 AM
Concourse Meeting Room 402AB, Level 2, Los Angeles Convention Center
Chair:
This session begins at 8:00 AM.
Getty Research Institute
A Portal for Digitized Art-Historical Texts: Unified Access to the Early Literature of Art History
Friday, February 24, 7:30 AM–9:00 AM
Concourse Meeting Room 403B, Level 2, Los Angeles Convention Center
Chairs: Kathleen Salomon, Getty Research Institute; Joseph Shubitowiski, Getty Research Institute
Continental breakfast will be provided.
Murtha Baca, Getty Research Institute
CAA International Committee
Confrontation in Global Art History: Past/Present; Pride/Prejudice Surrounding Art and Artists
Friday, February 24, 9:30 AM–12:00 PM
Concourse Meeting Room 402AB, Level 2, Los Angeles Convention Center
Chair: Richmond Teye Ackam, Kwame Nkrumah University of Science and Technology
Unintentional Categorization of Marginalized Artists in an Effort to Increase Public Awareness
Ayako Yoshida, independent curator
The Marginalized Art under the Brazilian Dictatorship
Tatiane de Oliveira Elias, Stuttgart State Academy of Art and Design
Epistemological Possibilities of American Art History: Modern and Contemporary Korean American Art
Eun Jung Park, University of California, San Diego
The Writing on the Wall: A Contemporary Art Project between the Middle East and Australia
Darryn Ansted, Curtin University
Trying to See Eye-to-Eye, from Ethiopia to California
Michel Oren, independent curator
Confrontations in Projecting African Art and Artists in the Art World
Richmond Teye Ackam, Kwame Nkrumah University of Science and Technology
Visual Culture and Mathematics in the Early Modern Period, Part I
Friday, February 24, 9:30 AM–12:00 PM
Concourse Meeting Room 404B, Level 2, Los Angeles Convention Center
Chair: Ingrid Alexander-Skipnes, independent scholar, Freiburg
Artful Arithmetic: Barthel Beham’s "Rechner" and the Dilemma of Accuracy
Jessica Buskirk, Technical University Dresden
The Intellectual Dimensions of Perfect, Semiperfect, Toroidal Polyhedra in the Renaissance
Renzo Baldasso, Southern Illinois University
"A Line is Produc’d by the Motion of a Point": Euclid’s "Elements" in the Seventeenth Century
Caroline O. Fowler, Princeton University
The Geometric Spirit in the Artist’s Studio: Bosse, Pascal, and the Question of Theory in the "Académie de Peinture et Sculpture" in the 1650s
Tatiana Senkevitch, Cornell University
Women's Caucus for Art
Multiplicities in Dialogue: From Political Caucus to Engaged Community
Friday, February 24, 9:30 AM–12:00 PM
Concourse Meeting Room 403B, Level 2, Los Angeles Convention Center
Chairs: Tanya Augsburg, San Francisco State University; Deborah Thomas, Glendale College
Forty Years of WCA: Celebrating History, Introducing the Session Dialogists
Tanya Augsburg, San Francisco State University
Elizabeth Stephens, University of California, Santa Cruz
Annie Sprinkle, independent artist and scholar
Karen Frostig, Lesley University
Yueh-mei Cheng, Finlandia University
Judith Baca, University of California, Los Angeles
Cathy Salser, A Window Between Worlds
Jenny Yoo, DIY Grad School
Dena Muller, ArtTable
Carol Wells, Center for the Study of Political Graphics
Julie Orser, University of California, Los Angeles
Deborah Thomas, Glendale College and Pasadena City College
Priscilla Otani, independent artist
The Modern Gesamtkunstwerk
Friday, February 24, 9:30 AM–12:00 PM
West Hall Meeting Room 511BC, Level 2, Los Angeles Convention Center
Chairs: Juliet Bellow, American University; Jenny Anger, Grinnell College
From Art to Artlessness: Richard Riemerschmid's Transformation of "Gesamtkunstwerk" to "Alltagskunst"
Freyja Hartzell, Yale University
"Métachorie" as "Gesamtkunstwerk": Valentine de Saint-Point and Futurist Dance
Alison W. Chang, University of Pennsylvania
Matisse's Decoration as Total Artwork
John Klein, Washington University in St. Louis
The Global "Gesamtkunstwerk"
Matthew Biro, University of Michigan
Discussant:Juliet Koss, Scripps College
Breaking Laws in the Name of Art: New Perspectives on Contemporary Latin American Art
Friday, February 24, 9:30 AM–12:00 PM
Concourse Meeting Room 408A, Level 2, Los Angeles Convention Center
Chair: Estrellita B. Brodsky, independent scholar and curator
Brazilian Art in the 1960s and 1970s: An “Aesthetics of the Margins”?
Claudia Calirman, John Jay College, City University of New York
Something Old, Something New, Something "Borrowed": William Cordova's "Laberintos (after Octavio Paz)" and the Machu Picchu Artifacts at Yale
Jennifer King, Princeton University
Censored: Tania Bruguera's Radical Political Artistic Practice
Beth Rosenblum, University of California, Los Angeles
A-153167 and Regina Galindo: Radical Performance Art in Guatemala
Idurre Alonso, Museum of Latin American Art
Discussant:Coco Fusco, Parsons The New School for Design
Ephemeral Cinema: Film and the Other Arts
Friday, February 24, 9:30 AM–12:00 PM
Concourse Meeting Room 409AB, Level 2, Los Angeles Convention Center
Chair: Kaira Cabañas, Columbia University
Fractured Film: Wallace Berman’s Disappearing Movie
Lucy Bradnock, Getty Research Institute
“What Doesn’t Exist Is Important”: Jack Smith’s Aesthetic of Deferral
Jacob Proctor, Aspen Art Museum
"Invisible Adversaries" and the Remediation of Ephemeral Cinema
Jennifer Stob, Colgate University
Film as Model: On Superstudio’s "Supersurface"
Craig Buckley, Columbia University
Queer Caucus for Art: The Lesbian, Gay, Bisexual, and Transgender Caucus for Art, Artists, and Historians
Flagging: Aesthetic Tactics and Queer Signification
Friday, February 24, 9:30 AM–12:00 PM
Concourse Meeting Room 407, Level 2, Los Angeles Convention Center
Chair: Anna Campbell, Grand Valley State University
Impersonating History: David Wojnarowicz’s "Arthur Rimbaud in New York", 1978-1979
Jenevive Nykolak, University of Rochester
FLAWED + FEMME + IN + (VISIBLE) = Abstracting Queerness
Syniva Whitney, independent artist
Homo Home: Queer Identity and the Domestic Sphere
Garth Amundson, Western Washington University
Pierre Gour, independent artist
Leave Them Unconnected
Andrew Campbell, University of Texas at Austin
A Critical Embodiment of Queer Substitutes
Jane Chin Davidson, University of Houston, Clear Lake
Tourism (and) Culture, Part I
Friday, February 24, 9:30 AM–12:00 PM
West Hall Meeting Room 501ABC, Level 2, Los Angeles Convention Center
Chair: Laurie Beth Clark, University of Wisconsin
Reciprocal Views: Community-Based Art, Tourism, and the Globalization of Rio de Janeiro’s Informal Housing Settlements
Melissa Geppert, Southern Oregon University
Seeing Patzcuaro, Imagining Mexico: Art, Tourism, and the Reintegration of Postrevolutionary Mexico
Jennifer Jolly, Ithaca College
Cultural Capital: Selling Havana as a Tourist Destination in the 1950s
Erica Morawski, University of Illinois, Chicago
Mapping a Landscape of African American Travel, 1944-1964: Invisibility, Mobility, and Autonomy
Jennifer Reut, National Museum of African American History and Culture, Smithsonian Institute
Art, Tourism, and the Spectacle of the Southwest: Visually Enchanting the Land of Enchantment
Joy Sperling, Denison University
Discussant:Michael Peterson, University of Wisconsin
Association of Art Museum Curators
“Your Labels Make Me Feel Stupid": Museum Labels as Art-Historical Practice
Friday, February 24, 9:30 AM–12:00 PM
Concourse Meeting Room 405, Level 2, Los Angeles Convention Center
Chairs: Cody Hartley, Museum of Fine Arts, Boston; Kevin M. Murphy, Crystal Bridges Museum of American Art
Space, Seam, Scenario: The Many Operations of the Museum Label
Laura H. Hollengreen, Georgia Institute of Technology
"Countercheck Your Crude Impressions": Interpretive Texts at the Museum of Fine Arts, Boston, 1872-1912
Kim Beil, University of California, Irvine
Nazi Wall Text: The 1937 "Degenerate Art Show"
Kate Green, University of Texas at Austin
"Holy Rollers" and the Dual Nature of Labeling
Leo G. Mazow, University of Arkansas, Fayetteville
Warning: Explicit Display in Museums
Jennifer Tyburczy, Rice University
Centennial Session
Yesterday, Today, and Tomorrow: CAA Town Hall Meeting
Friday, February 24, 9:30 AM–12:00 PM
West Hall Meeting Room 515B, Level 2, Los Angeles Convention Center
Chair: Margaret Lazzari, University of Southern California
Finish Fetish Sculpture from Los Angeles 1960s-1970s: Conservation Dilemmas
Friday, February 24, 9:30 AM–12:00 PM
Concourse Meeting Room 406AB, Level 2, Los Angeles Convention Center
Chair: Tom Learner, Getty Conservation Institute
Light, Space, Surface: Poetics and Practicalities in the Display of Finish Fetish Works of the 1960s and 1970s
Robin Clark, Museum of Contemporary Art San Diego
Light and Space: Specialty Shop and Hi-Tech
Andrew Perchuk, Getty Research Institute
The Real and Reflected Self: Finish Fetish and the Alter Ego
Monica Steinberg, The Graduate Center, City University of New York
The Intersection of Art, Industry, and Craftsmanship: Exploring Criteria for the Conservation of Finish Fetish Works of Art
Rachel Rivenc, Getty Conservation Institute
The Lens of Authenticity: Strategies for Retaining Evidence of Original Fabrication While Conserving Finish Fetish Objects
John Griswold, Griswold Conservation Associates, LLC
Design Education 2.0: Teaching in a Techno-Cultural Reality
Friday, February 24, 9:30 AM–12:00 PM
Concourse Meeting Room 404A, Level 2, Los Angeles Convention Center
Chair: Ashley John Pigford, University of Delaware
Coding for Interaction: A Survey of Current Tools for Designers and Makers
Gwyan Rhabyt, California State University East Bay
A Case Study on Interactive and Time-Based Design from Doha, Qatar: Exploring New Methods for Teaching Technology-Centric Courses in Graphic Design
Michael Hersrud and Levi Hammet, Virginia Commonwealth University in Qatar
[R]evolution of a Program: Repositioning the Graphic and Media Design Program at the Sage College of Albany
Sean Hovendick, Sage College of Albany
Collaborative Design Experience with Kinetic Sculpture
Paul Stout and Erik Brunvand, University of Utah
Sigmar Polke: (Art) History of Everything?
Friday, February 24, 9:30 AM–12:00 PM
West Hall Meeting Room 502A, Level 2, Los Angeles Convention Center
Chairs: Marcelle Polednik, Museum of Contemporary Art, Jacksonville; Charles W. Haxthausen, Williams College
"We Petty Bourgeois!" The Post-Pop of Polke and Co.
Petra Lange-Berndt, University College London
Sigmar Polke’s Hot Cold War Dots
Rachel Jans, University of Chicago
Sigmar Polke’s "Bernstein/Amber" Series
Faya Causey, National Gallery of Art, Washington, DC
Polke as Public Figure
Gregory H. Williams, Boston University
History in the Making: The "Watchtower" Series and Photography
Marcelle Polednik, Museum of Contemporary Art, Jacksonville
Discussant:Charles W. Haxthausen, Williams College
Centennial Session
Women, Surrealism, California, and Beyond
Friday, February 24, 9:30 AM–12:00 PM
Terrace Room, 5th Floor, LACMA West, LACMA
Chair: Martica Sawin, independent scholar
Shuttle buses will be available at 8:30 AM from the West Hall of the Convention Center. They will return to the Convention Center at 12:30 PM.
A World Made from Magic: Esoteric Lineages in the Works of Women Surrealists in Mexico
Tere Arcq, Museo de Arte Moderno, Mexico City
Hybridity and Space: Leonora Carrington's Kitchen
Katherine Conley, Dartmouth College
California—NY—Mexico City: Connections and Contrasts
Ilene Susan Fort, Los Angeles County Museum of Art
Discussant:Michael Taylor, Philadelphia Museum of Art
Live Forever: Performance Art in the Changing Museum Culture
Friday, February 24, 9:30 AM–12:00 PM
West Hall Meeting Room 503, Level 2, Los Angeles Convention Center
Chairs: Sandra Skurvida, Fashion Institute of Technology, State University of New York; Jovana Stokic, independent scholar
Variations on an Audience
Pablo Helguera, Museum of Modern Art, New York
Immigrant Movement International: The Artist Is Working
Tania Bruguera, Immigrant Movement International
Immortality as Aesthetics: Cryonic Suspension in a Performative Mode
Abou Farman, Purchase College, State University of New York
Kathy Battista, Sotheby's Institute of Art
ARTspace
Out of Rubble
Friday, February 24, 9:30 AM–12:00 PM
West Hall Meeting Room 515A, Level 2, Los Angeles Convention Center
Chairs: Susanne Slavick, Carnegie Mellon University; elin o'Hara slavick, University of North Carolina, Chapel Hill
Sorting through Rubble: Collage for the Subject of War
Lisa Wainwright, School of the Art Institute of Chicago
"And Now, over Germany, the Derelict Day Is Resumed": British and German Experiences 1945-1950
Veronica Davies, The Open University and University of East London
Representing the Unrepresentable: The Photography of Nuclear Affliction in Postwar Japan
Claude Baillargeon, Oakland University
War Culture
Kerry Oliver-Smith, Harn Museum of Art, University of Florida
Keeping the Wound Open: The Paradox of Whitewashing Ruins
Kira van Lil, University of Colorado, Boulder
How Many Billboards? Contemporary Art and the Public Sphere
Friday, February 24, 9:30 AM–12:00 PM
Concourse Meeting Room 408B, Level 2, Los Angeles Convention Center
Chairs: Gloria Sutton, Northeastern University; Nizan Shaked, California State University, Long Beach
I-140 and Methods of Escape
Dee Hibbert-Jones, University of California, Santa Cruz
Artangel and the Changing Mediascape of Public Art in the UK: From Billboards to Broadcast Media and Beyond
Maeve Connolly, Bauhaus-Universität Weimar
Speech in the City
Kimberli Meyer, MAK Center for Art and Architecture
Sereno
Christina Fernandez, Cerritos College
Discussant:Ken Gonzales-Day, Scripps College
Radical Art Caucus
Politics of the Panoramic: Spectacle, Surveillance, Resistance
Friday, February 24, 9:30 AM–12:00 PM
West Hall Meeting Room 502B, Level 2, Los Angeles Convention Center
Chair: Alan Wallach, The College of William and Mary
The Distant Present: Panoramas, Benjamin, and History
Frederick Bohrer, Hood College
"A Complete Illusion": Nineteenth-Century Battle Panoramas and Technologies of Totalizing Vision
Katie Hornstein, University of Michigan
Character Witnessing and Urban Surveillance: “Weegee the Famous” in the Naked City
Catherine Zuromskis, University of New Mexico
Virtual Panopticons: The Ethics of Observation in the Digital Age
Johanna Gosse, Bryn Mawr College
Panoramas, Visual Persuasion, and Video Games
Annabel Wharton, Duke University
Black Venus: They Called Her “Hottentot”
Friday, February 24, 9:30 AM–12:00 PM
Concourse Meeting Room 403A, Level 2, Los Angeles Convention Center
Chair: Deborah Willis, New York University
The Baartman Diaries
Fo Wilson, Columbia College Chicago
Historic Retrievals: Confronting Visual Evidence and the Imaging of Truth
Lisa Gail Collins, Vassar College
Playing with Venus: Black Women Artists and the Venus Trope in Contemporary Visual Art
Kianga Ford, The New School
Cinderella Tours Europe
Cheryl Finley, Cornell University
Virtual Baartman: Visualizing Saartjie Baartman in Second Life
Kalia Brooks, Museum of the African Diaspora
The Hottentot Venus in Canada: Modernism, Censorship, and the Racial Limits of Female Sexuality
Charmaine Nelson, McGill University
Sarah Baartman in Context
Carla Williams, Rochester Institute of Technology
Women's Caucus for Art
Irregular Experiences: Multigenerational Stories of Feminists in Art, Forty Years of the Women's Caucus for Art
Friday, February 24, 12:30 PM–2:00 PM
Concourse Meeting Room 403B, Level 2, Los Angeles Convention Center
Chair: Diane Burko, independent artist, Philadelphia
Judy Brodsky, Institute for Women and Art, Rutgers, The State University of New Jersey
Dail Chambers, Yeyo Arts Collective
Ann Sutherland Harris, University of Pittsburgh
Anu Sud Hittle, Washington University in St. Louis
Niku Kashef, California State University, Northridge
Muriel Magenta, Arizona State University
American Council for Southern Asian Art
Intersecting Technologies and Publics: Circulation, Viewership, and Access in South Asian Photography
Friday, February 24, 12:30 PM–2:00 PM
Concourse Meeting Room 405, Level 2, Los Angeles Convention Center
Chair: Gianna Michele Carotenuto, University of Washington
Photography of Desire: Politics of Representation and Circulation in Abbas Ali’s Nineteenth-Century Colonial Albums
Zainab Cheema, University of California, Irvine
Opium Subjects: Photography and the Visual Public Sphere in Late-Nineteenth-Century India
Hope Childers, Alfred University
The People of India: Beyond the Binding
Jessa Farquhar, University of California, Los Angeles
Discussant:Gianna Michele Carotenuto, University of Washington
Exhibitor Session
How to Get Published and How to Get Read: (Arts) Journals in the Digital Age
Friday, February 24, 12:30 PM–2:00 PM
Concourse Meeting Room 404B, Level 2, Los Angeles Convention Center
Chair: Loren Diclaudio, Routledge, Taylor & Francis Group
Jennifer Roberts, Routledge, Taylor & Francis Group
Christine L. Sundt, Visual Resources: An International Journal of Documentation
Natalie Foster, Routledge, Taylor & Francis Group
Exhibitor Session
New Media and the Revival of Traditional Media
Friday, February 24, 12:30 PM–2:00 PM
Concourse Meeting Room 404A, Level 2, Los Angeles Convention Center
Chair: Mark Gottsegen, Art Materials Information and Education Network
Beth Bergman, National Art Materials Trade Association
George O'Hanlon, Natural Pigments
Richard Frumess, R&F Handmade Prints
Scott Gellatly, Gamblin Artists Colors
CAA Services to Artists Committee
[Meta] Mentors: Artists and Industry
Friday, February 24, 12:30 PM–2:00 PM
West Hall Meeting Room 515A, Level 2, Los Angeles Convention Center
Chairs: Reni Gower, Virginia Commonwealth University; Vesna Pavlovic, Vanderbilt University
Sculptural Effects and Fabrication for the Motion Picture Industry
Kirk Starbird, independent artist
John Michael Kohler Art Center: Arts/Industry Residency
Sue Johnson, St. Mary's College of Maryland
MAK Center for Art and Architecture at the Schindler House Residence Program
Kimberli Meyer, MAK Center for Art and Architecture at the Schindler House
Interactive Web for Digital Agencies
Andre Yi, independent artist
Documentary Photography/Online Book Production
Dan Milnor, independent artist
CAA Publications Committee
Art Criticism
Friday, February 24, 12:30 PM–2:00 PM
Concourse Meeting Room 403A, Level 2, Los Angeles Convention Center
Chairs: Randall C. Griffin, Southern Methodist University; Anthony Elms, independent curator
Saul Ostrow, Cleveland Institute of Art
Michael Corris, Southern Methodist University
Amanda Beech, University of Kent
CAA Museum Committee
Curators in the Spotlight: Dealing with Controversy and the Unexpected in Developing and Presenting Recent Exhibitions
Friday, February 24, 12:30 PM–2:00 PM
Concourse Meeting Room 409AB, Level 2, Los Angeles Convention Center
Chairs: Holly Rachel Harrison, Los Angeles County Museum of Art; Nancy Mowll Mathews, Williams College Museum of Art
Art, Politics, and Hitler's Early Years in Vienna: Thoughts on a Controversy
Deborah M. Rothschild, Williams College Museum of Art
Croatia Rising: Repackaging Cultural Patrimony
Laurel Reed Pavic, Oregon College of Art and Craft
From Local to Global: How a Small College Art Gallery Landed on the World Stage
Leonie Bradbury, Montserrat College of Art
Association of Historians of American Art
Ideology, Industry, and Instinct: The Art of Labor
Friday, February 24, 12:30 PM–2:00 PM
Concourse Meeting Room 402AB, Level 2, Los Angeles Convention Center
Chairs: Wendy Katz, University of Nebraska, Lincoln; Brandon K. Ruud, Sheldon Museum of Art
Graphic Consciousness: The Visual Culture and Institutions of the Industrial Labor Movement at Midcentury
John Ott, James Madison University
Ad Reinhardt: Mystic or Materialist? Priest or Proletariat?
Annika Marie, Columbia College Chicago
Local and Collective: Sharon Lockhart's "Lunch Break" in Maine
Beth Finch, Colby College Museum of Art
Italian Art Society
Urbanism in Italy: From the Roman City to the Modern Age
Friday, February 24, 12:30 PM–2:00 PM
Concourse Meeting Room 406AB, Level 2, Los Angeles Convention Center
Chairs: Areli Marina, University of Illinois, Urbana-Champaign; Phillip Earenfight, Dickinson College
Off the Grid: Urban Armatures and Traffic Jams in Ancient Rome
Diane Favro, University of California, Los Angeles
Brick Architecture and Political Strategy in Early Modern Siena
Max Grossman, University of Texas at El Paso
Monumental Transformations: Architecture and the Eternal City in Flux
Guendalina Ajello Mahler, independent scholar
The Center for Craft, Creativity and Design, Inc.
Windgate Fellowship Program: A Case for Funding Professional Development Opportunities for Graduating Seniors
Friday, February 24, 12:30 PM–2:00 PM
Concourse Meeting Room 408A, Level 2, Los Angeles Convention Center
Chair: Stephanie Moore, The Center for Craft, Creativity & Design, Inc.
Aaron McIntosh
Jeremy Holmes
Elizabeth Staiger
ARTspace
Annual Distinguished Artists' Interviews
Friday, February 24, 2:30 PM–5:00 PM
West Hall Meeting Room 515A, Level 2, Los Angeles Convention Center
Chair:
Mary Kelly, University of California, Los Angeles, will be interviewed by Johanna Burton, Bard College Center for Curatorial Studies.
Martin Kersels, California Institute of the Arts, will be interviewed by Ian Berry, the Tang Museum.
Historians of Netherlandish Art
Affect and Agency: The Netherlandish Portrait (1400-1750)
Friday, February 24, 2:30 PM–5:00 PM
West Hall Meeting Room 511BC, Level 2, Los Angeles Convention Center
Chair: Ann Jensen Adams, University of California, Santa Barbara
Facing North: Theory and Practice of Portraiture in Holland around 1600
Ricardo de Mambro Santos, Willamette University
Display of Faith: The Religious “Professional” Portrait in the Netherlands and the Question of Collective Identity in Troubled Times
Edward Wouk, The Metropolitan Museum of Art
After-Images of Erasmus: The Humanist Portrait in Early Sixteenth-Century Netherlands
Marisa Anne Bass, Columbia University
“A Rather Engaging Gaucherie”: Gerrit van Honthorst’s Portrait Historié of "King Charles I and His Wife Queen Henrietta Maria as Apollo and Diana"
Sheila D. Muller, University of Utah
The Cuyp Workshop and the Construction of Social Identity in Dordrecht
John Loughman, University College Dublin
Concerning the Spiritual in Art: Kandinsky’s Radical Work at 100
Friday, February 24, 2:30 PM–5:00 PM
Concourse Meeting Room 408A, Level 2, Los Angeles Convention Center
Chairs: Susan J. Baker, University of Houston, Downtown; Valerie Hedquist, University of Montana
Wassily Kandinsky and the Ether of Space as the Meta-Reality and Medium of Modernism
Linda Dalrymple Henderson, University of Texas at Austin
The Politics of "the Spiritual in Art" in Russia
Sarah Warren, Purchase College, State University of New York
Wassily Kandinsky's Affective Formalism
Todd Cronan, Emory University
The Problem of Life and the Problem of Positivism: Kandinsky, Nietzsche, and Wittgenstein on Art and Science
Michael R. Smith, Institute for Doctoral Studies in the Visual Arts
Discussant:Riccardo Marchi, University of South Florida
Centennial Session
"The Eye, the Hand, the Mind": Revelations
Friday, February 24, 2:30 PM–5:00 PM
West Hall Meeting Room 515B, Level 2, Los Angeles Convention Center
Chair: Susan Ball, New York Foundation for the Arts
Judith K. Brodsky, Institute for Women and Art, Rutgers, The State University of New Jersey
Craig Houser, City College of New York, City University of New York
Karen J. Leader, Florida Atlantic University
Ferris Olin, Institute for Women and Art, Rutgers, The State University of New Jersey
Julia Sienkewicz, Duquesne University
Christine L. Sundt, Visual Resources: An International Journal of Documentation
Holland Cotter, The New York Times
Stanley N. Katz, Princeton University
Avant '68: France and the Transnational Flow of Culture in the Global "Long Sixties"
Friday, February 24, 2:30 PM–5:00 PM
Concourse Meeting Room 404A, Level 2, Los Angeles Convention Center
Chairs: Noit Banai, Tufts University and School of the Museum of Fine Arts; Hannah Feldman, Northwestern University
Making Awful Music Together: The Jam Sessions of Asger Jorn and Jean Dubuffet
Sarah K. Rich, Pennsylvania State University
"There Really Is No Substitute for Participation!" The Techno-Geographies of GRAV
Ágnes Berecz, Pratt Institute
"Les Orgues de Flandre" and the Limits of Architecture
Sean Weiss, Baruch College and The Graduate Center, City University of New York
"Été ‘70": The Plein-Air Exhibitions of Supports-Surfaces
Rosemary O'Neill, Parsons, The New School for Design
"Elles Voient Rouge": Women's Art in France Before and After '68
Rakhee Balaram, Jawaharlal Nehru University
Is It Time to Question the "Privileging" of Visual Art?
Friday, February 24, 2:30 PM–5:00 PM
Concourse Meeting Room 409AB, Level 2, Los Angeles Convention Center
Chairs: Greta Berman, The Juilliard School; Ellen K. Levy, independent artist, New York
What Has Happened to the "Peak Shift" Theory and Other Related Ideas about Art? A Conversation with Elizabeth Laura Seckel
Greta Berman, The Juilliard School, and
Elizabeth Laura Seckel, University of California, San Diego
A Conversation about Ocular Centricity
Ellen K. Levy, independent artist, New York, and
Anjan Chatterjee, University of Pennsylvania
An Interview with John Onians
Carl Schoonover, Columbia University, and John Onians, University of East Anglia, Norwich
Brain Music
David Rosenboom, California Institute of the Arts
Sniffing Booth
Siddharth Ramakrishnan, Columbia University
Flying Solo: The Opportunities and Challenges Presented to the Solitary Art Historian in a Small College
Friday, February 24, 2:30 PM–5:00 PM
Concourse Meeting Room 405, Level 2, Los Angeles Convention Center
Chairs: Laura J. Crary, Presbyterian College; William Ganis, Wells College
Curricular and Pedagogical Strategies for Solo Flyers in Studio Departments
Lisa DeBoer, Westmont College
No Art Historian Is an Island
Amy Von Lintel, West Texas A&M University
Between Scylla and Charybdis: One Educator’s Personal Odyssey from Classicist to Generalist in Three Years
Kimberly Busby, Angelo State University
The Solitary Art Historian in a Liberal Arts College: Strategies for Aligning Faculty and Student Research
Gregory Gilbert, Knox College
Conceptual Art as Comedic Practice
Friday, February 24, 2:30 PM–5:00 PM
Concourse Meeting Room 402AB, Level 2, Los Angeles Convention Center
Chairs: Heather Diack, Keene State College; Louis Kaplan, University of Toronto
Ontological Indifference: On Comedy, Photography, and Conceptual Art
Aron Vinegar, Ohio State University
Conceptual Work and Domestic Play
Emily Liebert, Columbia University
In Soviet Russia, the Joke Tells You: Humor in the Work of Komar and Melamid
Ksenya Gurshtein, National Gallery of Art
Ludic Conceptualism: Bas Jan Ader, a Dutchman Playing Abroad
Janna Schoenberger, The Graduate Center, City University of New York
Comedy as Conceptual Art Strategy
Sara Greenberger Rafferty, Suffolk County Community College
Tracking the Movement of Investigatory Art
Friday, February 24, 2:30 PM–5:00 PM
West Hall Meeting Room 501ABC, Level 2, Los Angeles Convention Center
Chairs: Martin Gantman, independent artist; Gina Dabrowski, independent artist
Investigatory Art 1969-2010: Technological Innovation, Sociability, and Immediate Experience
Edward A. Shanken, University of Amsterdam
Asking Questions: The Interview as Artistic Form
Ruth Erickson, University of Pennsylvania
Visualizing Global Resources: An Experiment in Critical-Aesthetic Research
Emily Eliza Scott, Zurich University of the Arts
The Disquieting Image: Tracing the Visual Essay
Luisa Greenfield, independent artist
A Sebaldian Method of Art
Lise Patt, Institute of Cultural Inquiry
Keywords Project: Historicizing the Concept as Action in Investigatory Art Practice
Orianna Cacchione, University of California, San Diego
Historians of Eighteenth-Century Art and Architecture
Pictures in Place: Depicting Location and the Siting of Representation in the Eighteenth Century
Friday, February 24, 2:30 PM–5:00 PM
Concourse Meeting Room 408B, Level 2, Los Angeles Convention Center
Chair: Craig Ashley Hanson, Calvin College
Place as a Thing: Chinese Screens in Dutch Colonial Contexts
Dawn Odell, Lewis and Clark College
From "Salon" to Altar: Relocating Religious Art in Eighteenth-Century Paris
Hannah Williams, University of Oxford
A Surplus of Frames: Allegorizing Collecting in the 1720 Stallburg Installation
Julie M. Johnson, University of Texas at San Antonio
Paintings in Country Houses and the Development of British Cultural Heritage
Jocelyn Anderson, Courtauld Institute of Art
Branding Shakespeare: Boydell’s Shakespeare Gallery and the Politics of Display
Heather McPherson, University of Alabama at Birmingham
Information Visualization as a Research Method in Art History
Friday, February 24, 2:30 PM–5:00 PM
West Hall Meeting Room 502A, Level 2, Los Angeles Convention Center
Chairs: Christian Huemer, Getty Research Institute; Lev Manovich, University of California, San Diego
Visualizing the Ecology of Complex Networks in Art History
Maximilian Schich, Northeastern University
Geoinformatics and Art History: Visualizing the Reception of American Art in Western Europe, 1948-1968
Catherine Dossin, Purdue University
Interactive Mapping of the Agents of the Art Market in Europe (1550-1800)
Sophie Raux, Université Lille Nord de France
Visualizing Art, Law, and Markets
Victoria Szabo, Duke University
Lithics Visualization Project for Analysis of Patterns and Aesthetic Presentation
Georgia Gene Berryhill, University of Maryland
Information Visualization and Museum Practice
Piotr Adamczyk, Google and University of Illinois, Urbana-Champaign
Art History Open Session
Theory, Method, and the Future of Precolumbian Art History
Friday, February 24, 2:30 PM–5:00 PM
Concourse Meeting Room 403B, Level 2, Los Angeles Convention Center
Chair: Cecelia F. Klein, University of California, Los Angeles
The Ethos of Conflict and Naturalistic Representation
Esther Pasztory, Columbia University
Now You See It, Now You Don't: Ancient American Art and the Museum
Mary Miller, Yale University
What Do You Say When There Are No Words?
Elizabeth Hill Boone, Tulane University
Looking Back at the Future of the History of Precolumbian Art
Thomas Bitting Foster Cummins, Harvard University
Discussant:Carolyn Dean, University of California, Santa Cruz, and
Claudia Brittenham, University of Michigan
International Center of Medieval Art
"Res et significatio": The Material Sense of Things in the Middle Ages
Friday, February 24, 2:30 PM–5:00 PM
Concourse Meeting Room 407, Level 2, Los Angeles Convention Center
Chairs: Aden Kumler, University of Chicago; Christopher Lakey, Johns Hopkins University
The Matter of Ornament: Translation and Making in the Eleventh Century
Ittai Weinryb, Bard Graduate Center
The Nef of St. Ursula: An Object Adrift
Christina Normore, Northwestern University
Blood Matters: Making Sense of Traces of Blood
Beate Fricke, University of California, Berkeley
Kinks in the Fabric of Early Netherlandish Painting
Amy Powell, University of California, Irvine
Ambas Americas: Both Americas
Friday, February 24, 2:30 PM–5:00 PM
Concourse Meeting Room 403A, Level 2, Los Angeles Convention Center
Chair: Kathie Manthorne, The Graduate Center, City University of New York
Mary-Kate O'Hare, Newark Museum
Elizabeth Glassman, Terra Foundation for American Art
Gabriel Perez-Barreiro, Coleccion Cisneros
Jorge Daniel Veneciano, Sheldon Museum of Art
Anne Whitelaw, Concordia University
Architecture and Race
Friday, February 24, 2:30 PM–5:00 PM
West Hall Meeting Room 502B, Level 2, Los Angeles Convention Center
Chair: Brian L. McLaren, University of Washington
Chinks in the Works: Race, Labor, and the Production of Modern Siamese Architecture in the Early Twentieth Century
Lawrence Chua, Cornell University
"Hawaiianness" and the Fiftieth State Capitol
Kelema Lee Moses, Pennsylvania State University
Ernst Neufert, National Socialism, and the Humanist Tradition in Architecture
Nader Vossoughian, New York Institute of Technology
Tropical Architecture: Comfort and the Tropical Body
Vandana Baweja, University of Florida
Urban Renewal and Its Discontents: Oswald Mathias Ungers’s "Asihaus" for IBA 1984-1987
Esra Akcan, University of Illinois, Chicago, and Berlin Institute for Advanced Study
Intersections between Art and Dance in the Twentieth Century
Friday, February 24, 2:30 PM–5:00 PM
Concourse Meeting Room 404B, Level 2, Los Angeles Convention Center
Chair: Robert R. Shane, College of Saint Rose
Tango Magic City
Tara Ward, Boston University
Sophie Taeuber’s Visceral Abstraction
Nell Andrew, University of Georgia
"I'd Like to Dance Like a Madman": Flamenco and Surrealism
Analisa Leppanen-Guerra, DePaul University
Modern Shenanigans at a Filling Station Designed by Paul Cadmus
Jane Dini, Detroit Institute of Arts
Collaboration, Movement, Projection: The Interdisciplinary Structure of Lucinda Childs's "Dance", 1979
Jennie Goldstein, Stony Brook University, State University of New York
Centennial Session
Connections: Architecture and Design in Los Angeles at Midcentury
Friday, February 24, 2:30 PM–5:00 PM
Bing Theater, Plaza Level, Bing Center, Los Angeles Time Central Court entrance, LACMA East
Chair: Ruth Weisberg, University of Southern California
Shuttle buses will be available at 1:30 PM from the West Hall of the Convention Center. They will return to the Convention Center at 5:30 PM.
Wim de Wit, Getty Research Institute
Wendy Kaplan, Los Angeles County Museum of Art
Louis Danziger, graphic designer
Ray Kappe, architect
Gere Kavanaugh, designer
Bobbye Tigerman, Los Angeles County Museum of Art
Los Angeles Writes Itself: LA Art Journals from the 1960s to the Present
Friday, February 24, 2:30 PM–5:00 PM
Concourse Meeting Room 406AB, Level 2, Los Angeles Convention Center
Chairs: Damon Willick, Loyola Marymount University; Kristina Newhouse, independent critic and curator
Jacki Apple, Art Center College of Design and High Performance Magazine
Ellen Birrell, X-TRA Contemporary Art Quarterly
Thomas Lawson, East of Borneo and California Institute of the Arts
Robert Smith, Los Angeles Institute of Contemporary Art
CAA Annual Business Meeting and Reception
Friday, February 24, 5:30 PM–7:00 PM
West Hall Meeting Room 503, Level 2, Los Angeles Convention Center
Chair:
Society of Contemporary Art Historians
Digging Where You Stand
Friday, February 24, 5:30 PM–7:00 PM
Concourse Meeting Room 409AB, Level 2, Los Angeles Convention Center
Chairs: Suzanne Hudson, University of Illinois; Richard Meyer, University of Southern California
Kellie Jones, Columbia University
Michelle Kuo, Artforum
Frank Smigiel, San Francisco Museum of Modern Art
Southern Graphics Council
COACTION: Innovative Printmaking Collaborations
Friday, February 24, 5:30 PM–7:00 PM
Concourse Meeting Room 406AB, Level 2, Los Angeles Convention Center
Chair: Candace Marie Nicol, Southern Graphics Council International
“PLATFORM”: A Collaboration with Texas Advanced Computing Center, University of Texas at Austin
Francesca G. Samsel, independent artist
Multiplicity in Collaboration and Community
Sang-Mi Yoo, Texas Tech University
“We Have a Dream": An Ohio University and University of Tennessee, Knoxville, Collaborative Project
Althea Murphy-Price, University of Tennessee, and
Haylee Ebersole, Ohio University
New Media Caucus
Code as Craft: Programming in the Art and Design Curriculum
Friday, February 24, 5:30 PM–7:00 PM
Concourse Meeting Room 402AB, Level 2, Los Angeles Convention Center
Chair: Michael Salmond, Florida Gulf Coast University
Artists’ Machines: Postdigital Design Education for the Real World
Ashley John Pigford, University of Delaware
Code: Intellectual Property, Fair Use, and Plagiarism
Rachel Beth Egenhoefer, University of San Francisco, and
Joel Swanson, University of Colorado, Boulder
The New Programme: Computational Thinking in Graphic Design Practice and Pedagogy
Keon Pettiway, East Carolina University
Fostering Play and Rewarding Failure in the Pedagogy of Programming
Jason Bernagozzi, Alfred State College, State University of New York
"Metabellum": Teaching Code through Collaborative Interdisciplinary Performance
Victoria Bradbury, Ball State University
Advanced Placement Program in Art History, The College Board
Teaching with Fire: Creative Pedagogy for Art History
Friday, February 24, 5:30 PM–7:00 PM
Concourse Meeting Room 403B, Level 2, Los Angeles Convention Center
Chairs: Allie Terry-Fritsch, Bowling Green State University; John Gunnin, The College Board and Corona del Mar High School
Art Libraries Society of North America
Collaboration, Access, Sustainability: The Future of Image Research Collections
Friday, February 24, 5:30 PM–7:00 PM
West Hall Meeting Room 511BC, Level 2, Los Angeles Convention Center
Chairs: Tony White, Indiana University Bloomington; Laura Graveline, Dartmouth College
Picturing the Future: Private Collections and Public Institutions
Inge Reist, Frick Art Reference Library
Digital Humanities and New Emerging Paradigms for Librarians
Ann Whiteside, Harvard University
The Evolution of Corporate-Personal-Public Image Collections: Implications for Research and Preservation
Andrea Copeland, Indiana University
Yours, Mine, and Our Common Cultural Heritage: Losing Control of Digital Visual Information
Joane Beaudoin, Wayne State University

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